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Recently
the Windy City Cowboy sat down to answer a number of fan
related questions. While leaning back in his chair and
resting his boots on the table, the Windy City Cowboy
lowered his hat over his eyes and started with "a
long time ago..."
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Just
who is the Windy City Cowboy? |
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Ah,
yes, just who is this masked man? Well, I go by the name
J.D. Allen, but I was born Allen G. Abajian. However, when
my music started getting radio air play, the DJ's couldn't
pronounce my name. They literally begged me to change it.
So my twin sons suggested some type of initials. The suggestion
of J.D. - for Just Dad - surfaced and ever since I've been
called J(ust) D(ad) Allen. |
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Where
did the name Windy City Cowboy come from? |
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Back
in the mid 1980's when my first album had regional airplay
in California, Arizona and Nevada I called myself the Armenian
Cowboy. As fans got to know me they would ask where
I was from. When I answered "Chicago" I'd get
some strange looks. Now that they were sorry they asked,
they'd follow up with "what's a yankee gangster doing
in country music"? The stereotype of being a gangster
from Chicago was too much to pass up. From that point on
the Armenian Cowboy became known as the Windy
City Cowboy. |
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When
did you start writing music? |
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I
was 15 years old and living with my older brother in beautiful
downtown Burbank, California. My brother was a musician
and copyist for the top publishing companies in Los Angeles.
In his spare time he worked for Aria Guitars and one day
he brought home a guitar just for me. I
was ecstatic and began playing my new guitar non-stop
every free moment I could.
Within
weeks I had completed 2 to 3 songs. One day my brother
was standing in the doorway to my room listening. He asked
if I had written the songs I was playing and I sheepishly
said "yes". He just looked at me in amazement
as he had spent years practicing the guitar and learning
theory on good song writing. And now here was his younger
brother writing better songs in just a few weeks.
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Where
was your first live gig? |
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My
first paid performance was in Santa Cruz, California at
the Crows Nest in Yacht Harbor. I was 17 years old and
I made a whopping $75.00 plus meals (we're talking steak
and lobster here) for 4 hours of cover tunes and original
songs. I really enjoyed this time during the summer as
I was able to see which songs the audience did and did
not like. This helped me fine tune my style to what people
enjoyed.
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What
came after highschool? |
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I
moved to Santa Rosa and performed coffee houses while
attending a local junior college. I took music theory
(for the second time), piano and general liberal art classes.
I wanted to develop my music and writing skills, but my
focus was on writing songs.
Every
time I would attempt to practice or study I ended up writing
songs. I remember one time when I was supposed to be practicing
the piano I ended up singing away and writing down a new
song. My music teacher happened to walk by the practice
room and burst in asking, "what in the world are
you doing? You're here to learn piano, not write songs!"
I replied that everytime I'd play a new chord or hear
new melodies I was compelled to write a new song. He gently
reminded me to first master the basics because I could
always write songs later. However,
the desire to write was always greater than my desire
to play.
I
lacked structure in my life and I was always in a hurry
to make the finished product. I
would learn just enough theory so my next song was a bit
different, but I was stuck writing and playing in primary
keys.
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How
long does it take you to write a song? |
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<Laughing>
That's kind of funny because I'm still working on songs
I started over 25 years ago. Then there are those songs
that go from melody to finished song in just 15 minutes.
It really all depends.
But
I'm never happy with a song until the lyrical aspect of
the song says exactly what I wanted it to say.
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How
did you go from writer to performer? |
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I've
never thought of myself as a performer. Elvis was a performer.
In my opinion, performers are people told what to sing,
what to say, who to talk to, who to associate with, or
who to get your picture taken with. I really don't want
a part of that, so that's why I never think of myself
as a performer.
I'll
always remain a writer at heart - staying focused on the
content.
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Why
haven't you signed with a major label yet? |
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Early
in my career I wasn't opposed to signing with a major
label. However, after spending a great length of time
in the music industry, I saw first hand the ruthless practices
the publishing companies evoked on the artists. I wanted
to maintain control of my music and the only way to do
that was to remain independent. So before the rise of
independent artists, I struck out to produce, publish
and release my own music under my own label.
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How
does an independent artist get going? |
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It's
hard! I've met so many talented writers in my career who
have outstanding songs and dynamic recordings that you'll
never hear on the radio - all because they're not signed
with a major label.
But
I have found that live performance is key to building
an audience.
As
far as getting on the radio it's kind of hard since I
would describe my music as alternative country and alternative
Christian - which doesn't fit mainstream media. Oh well,
pioneers are a rare and lonely breed and that's okay with
me.
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How
would you describe your style and lyrics? |
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My
music style is definitely country, but I'm influenced
by blues, gospel, swing, and classical. You could describe
my style as alternative country and alternative Christian.
My
lyric style is strongly influenced by the Bible - God's
love letter to all of us - and the
message is of the upmost importance to me.
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How
did you get Red Rhodes to perform on your CD? |
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Back
in the late 70's I playing with the house band at the
Palomino Club in California. It was here that I met the
late Red Rhodes who became a friend and a mentor.
As
his career progressed he became one of the best steel
guitar players to ever play country music. In fact, it
was Rhodes who played the steel guitar on almost every
movie sountrack that required a steel guitarist. It probably
helped that he was one of the few steel guitarist who
could actually read music and not just play by ear. He
had no competition.
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What's
next for you? |
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Well,
my new CD, Out of Our Hands, is
now officially released. I'll be busy this year promoting
that through performances around the Chicagoland area.
In addition, I'm also working on a childrens CD I hope
to record later this year.
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Do
you have a question for the Windy City Cowboy?
Ask it here!
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